No, Virginia, You Can’t Just Copy Stuff You Find On the Internet, Even if You Don’t Notice the Copyright Notice

I usually don’t write a whole blog post just to disagree with a sitting federal judge, even when it’s about copyright law’s most notorious disagreement-generating machine: fair use.

This is an exception. A recent decision by the Eastern District of Virginia may cause some individuals and non-profits to believe that it’s permissible to copy and use “publicly available” photos from the internet, as long as they don’t know whether or not the photos are protected by copyright.

The purpose of this blog post is to dispel any such belief. Despite what you might have read in Brammer v. Violent Hues, LLC, you cannot just use photos you find on the internet, even if you are genuinely unaware of their copyright status. Why should you believe me and not a federal judge? Because, as I argue below, the other federal judges are on my side.

Brammer v. Violent Hues Productions, LLC

Back in 2011, Photographer Russell Brammer took a time-lapse night time image of the Adams Morgan neighborhood of Washington, D.C., and uploaded it to his Flickr account. Flickr allows photographers to choose from among about ten different copyright settings, including the reservation of all rights, dedication to the public domain, and various Creative Commons licenses. Brammer chose to reserve all rights so, when the photo was uploaded, it was accompanied by the copyright notice: “© All Rights Reserved.”

Violent Hues Productions runs the Northern Virginia Film Festival. In 2016, festival employee Fernando Mico found Brammer’s photo online and copied it for use on the festival website. Mico used a cropped version of Brammer’s photo to illustrate one of the “things to do” in the general area of the festival. Mico admitted that he found the photograph on Flickr through a Google search, but claimed “that he saw no indication that the photo was copyrighted and believed he was making use of a publically available photograph.” (By the way, “publically” is apparently a permissible albeit less common spelling of “publicly”).

Brammer sued in the Eastern District of Virginia. Violent Hues advanced a fair use defense and, on June 11, 2018, the judge granted summary judgment for the defendant.

The Court’s Fair Use Analysis

The Court held that every fair use factor codified at 17 U.S.C. § 107 favored fair use. As to the first factor, the purpose and character of the use, the Court held that the defendant’s use of the photo was transformative and also non-commercial (both of these conclusions have flaws, the discussion of which is beyond the scope of this post). The Court also held that:

In addition to being transformative and non-commercial, Violent Hues’ use of the photo was also in good faith. The record indicates that Mr. Mico, Violent Hues’ owner, found the photo online and saw no indication that it was copyrighted. Mr. Mico attests that he thus believed the photo was publically available. This good faith is further confirmed by the fact that as soon as Violent Hues learned that the photo may potentially be copyrighted, it removed the photo from its website.

Let’s talk about “good faith.” As an initial matter, one might question how the Judge could have found that there was no genuine issue of fact here for the jury. The plaintiff produced documentary evidence of a copyright notice (you can see it in the lower right hand corner of the Flickr exhibit). By contrast, the defendant’s evidence consisted of an affidavit from Mico claiming, not that the copyright notice wasn’t there, but only that he didn’t see it. Additionally, what relevance does the “publicly available” nature of a work indicate? There are many things that are “publicly available,” some of which are copyrighted and some of which are not. You can’t just use them all for your website. Did the Court mean to use the term “public domain”?

“Good Faith” and “Innocent Intent”

But the above discussion about the merits of the judge’s “good faith” determination is moot, because good faith is not relevant to the fair use analysis in the first place. Why did the judge think it was relevant? Let’s turn to the case law he cited on this issue. What’s that … he cited no case law? Ok, then let’s see what cases the defendant cited in its brief for this proposition. Wow, nothing there either.

Here is the law. In Harper & Row v. Nation Enterprises (which we wrote about in detail here), the Supreme Court indicated that a defendant’s “bad faith” could be taken into account in a fair use analysis. So, for example, if you break into someone’s office and steal a photo, and then publish it, the fact that you committed a crime to get the photo will be figured into the fair use analysis. This is because, as Justice O’Connor put it, “fair use presupposes good faith,” and evidence of bad faith rebuts that presupposition.

However, that does not mean that evidence of good faith can be affirmatively introduced to prove fair use. In the recent copyright case of Google v. Oracle (which we covered here), the Federal Circuit cited to Ninth Circuit law and to Professor Nimmer’s treatise (which in turn cited to lots of other cases) and stated:

[W]hile bad faith may weigh against fair use, a copyist’s good faith cannot weigh in favor of fair use [because] the innocent intent of the defendant constitutes no defense to liability.

To be clear, innocent intent is not completely irrelevant to copyright law. Among other things, it can impact the amount of statutory damages, it can determine whether a party is liable for contributory infringement, and it is important to certain aspects of the notice and takedown procedure under the Digital Millennium Copyright Act.

But when it comes to infringement, protestations of “good faith” and “innocent intent” are not admissible as affirmative evidence of non-infringement or fair use, or at least they are not supposed to be. If they were, every fair use analysis would devolve into a contest to see how well the defendant could make sad puppy dog eyes while insisting that no infringement was intended (and even if sad puppy dog eyes were relevant, surely they would be a jury question, not something to be evaluated on summary judgment).

Brammer is an Outlier even in the Fourth Circuit

So why did the judge take a different approach here? Maybe the law on this is different in the Fourth Circuit?

Actually, it’s not. For example, in Richard Anderson Photography v. Brown, where a college mistakenly believed that its permission to use certain photographs extended for a longer period than it actually did, the Western District of Virginia rejected the defense of “innocent infringement” as a matter of law. Similarly, multiple decisions of the District of South Carolina have held that:

As between two innocent parties (i.e., the copyright owner and the innocent infringer) it is the latter who should suffer since he, unlike the copyright owner, [] has an opportunity to guard against the infringement by diligent inquiry.

The same holds true even in the Eastern District of Virginia, where a different judge in Phoenix Renovation v. Rodriguez wrote:

Defendants argue that their use of the [copyrighted work] constituted an innocent infringement. While the defense of innocent infringement can impact the remedies available against a defendant for copyright infringement, it will not constitute a defense to a finding of liability. As [Plaintiff] only seeks summary judgment on the issue of liability, the Court will not consider this defense in the present context.

In other words, Brammer is an outlier even in the Fourth Circuit … even in its own district.

So if you are an individual or a non-profit, and you heard about this great new copyright case, here is the bottom line: Brammer is NOT a coupon for free photos for your website. I ran non-profit film festivals for nearly ten years before becoming a lawyer, so I sympathize with your plight. But unless you happen to be in the Eastern District of Virginia and happen to get assigned one particular judge, you will not be able to make sad puppy dog eyes and claim you didn’t see the copyright notice.  It will not work with other judges … it likely will not even work on this judge again if the plaintiff bothers to appeal.

Author’s Note: As noted above, there are many other aspects of this opinion with which I take issue, but they are beyond the scope of this blog post. Suffice to say, if you are relying on Brammer for anything, best of luck with that.

13 thoughts on “No, Virginia, You Can’t Just Copy Stuff You Find On the Internet, Even if You Don’t Notice the Copyright Notice

  1. Honor of copyrights. That should be morally instilled in everyone. Honor the copyright owner. Too bad it’s just not that way and there are thieves everywhere. All of this tons of extra money to get things copy written when they should be honored as a copy written piece of art from the moment you create it is ridiculous. Advocate for change. Honor the copyright holder. No exceptions. As stated in this blog there is a huge difference in innocent intent and deliberate intent. As a victim of fraud in 2017 from Twitter and Facebook scammers hiding behind celebrity profiles took me down hard. In an effort to get my music produced. This has been a horrible ordeal for me. I have uncopywritten music everywhere or it’s uncopywritten in Washington DC that is of course I’ve done the poor man’s copyright sending them back to myself and sealed envelope. But if that’s all you can do, it should be good enough.

    • Hello Regina!
      Sending the images back to yourself through the US Mail in an attempt to create a “poor man’s copyright” is an old wives tale. There is no benefit to doing this, and has no basis in law. Check with an attorney who can put you on the right path to copyright registration. It is not a difficult process, and at $55 per registration (not per image as many believe…), it’s cheap insurance, and the only way to truly protect your intellectual property.

      Here is the link to the US Copyright Office for more information:

      • John: To be clear, you can register one published or one un-published photograph/work (where you’re the sole author/claimant that’s not part of WFH) for $35 (via the eCO’s Single Application).

        Photographers can also register up to 750 un-published images using the eCO’s $55 Standard Application; photographers can also register up to 750 published photographs (all from one calendar year) also with the eCO’s $55 Standard Application.

        You can NOT mix published and un-published photographs/works in the same application (they must be separated into their own application).

        Fees are current as of September 2018.

  2. Pingback: Court Rules Copying Photos Found on Internet is Fair Use – Photography News World

  3. Pingback: Court Rules Copying Photos Found on Internet is Fair Use – Get Photo Tips

  4. A terrible decision. The judge was wrong on so many points. I hope that the plaintiff appeals this decision. Even though you seem to suggest that this decision will not set any kind of legal precedent, I think letting it stand is still potentially harmful in terms of public perception.

  5. I am happy with this, the photographer had no right to sue the company as they removed the photography when asked.

    Millions of images appear on the internet, how is anyone to know what is and what isn’t copyrighted.

    If the website didn’t take the image down on request, after being made aware that is was breaking copyright then fair enough.

    FYI I didn’t read this article.

    • So…it’s okay to steal something as long as you give it back only when caught? Think about it. Is that fair to to copyright holder? The answer is a resounding “No”!

  6. Wow. There are some really crazed decisions out there. I guess it’s tough to get good help anywhere anymore. Good for business in the lawyering trade, though.

    Fair Use is (still) a steep mountain to climb. But what’s really distressing for publishers who have legitimate claim to Fair Use (me, for instance) is that there is no certainty. Even if you know what you are doing and satisfy all the requirements, you can still be devastated by what is essentially a SLAPP suit because that’s the way civil law works. And for infringement victims – and I suspect they vastly outnumber publishers with legitimate claim to Fair Use – it’s the mirror image of the same horror.

    We need clearly defined boundaries, meaningful enforcement against thieves, and an end to for-profit trolling. All of which suggests to me that copyright should be largely a criminal matter.

  7. Pingback: Reglas de la corte EEUU para usar fotos encontradas en Internet y su uso justo - Fotocreativo

  8. Pingback: Exposed DC – Friday Links: July 13, 2018

  9. People should assume anything online belongs to a copyright owner. Only legitimate and respectable way to get images for your use is to find the REAL owner, and get actual permission. Never assume just because it’s online it’s ok to take it, that’s probably the biggest myth about copyright that exists right now.

    Furthermore, there are a lot of disreputable sites now that offer images free or for a fee, claiming they’re in the public domain, when they are not. There are also “scraper sites” that use software to quickly scrape (steal) numerous images. They then put these on sites that gift the viewer with malware or phishing scams.

    I sure hope the photographer wins this case on appeal. Right now, it being a lower court decision, it’s not legal precedent even if it is a bad message. If his lawyer can’t beat this on appeal it will still be an “outlier” but will be far more dangerous. When people who work in creative fields are expected to continually give and give more away, of their hard work, I wonder how the public expects them to make a career of it? Do other professionals work for free? Um, no.

  10. Pingback: Brammer v. Violent Hues: The Internet Confronts Fair Use – VLAA

Leave a Reply

Your email address will not be published. Required fields are marked *